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Audio Programming
DSP Audio Programming Series: Part 2
It’s been quite some time since part 1 of this series (all the way back in June of last year) where weDSP Audio Programming Series: Part 1
It’s been a little while since the last audio programming post here at Creating Sound. I spent some time trying to decideAn Interview with Nicolas Fournel
Nicolas Fournel is an audio programmer, and founder of “tsugi” (tsugi-studio.com), a company based in Japan that does R&D (including tools development)Audio Programming Primer
Heading into the world of audio programming may seem a little daunting at first, even with prior programming experience. There are quiteUnderstanding Audio Resampling
From a programming standpoint, there are some important considerations that need to be observed when changing the sampling rate of a discrete-timeNew Book on Digital Signal Processing
Written by Will Pirkle, “Designing Audio Effects in C++ with Digital Audio Signal Processing Theory” introduces the reader to the theory behindProgramming Algorithmic Reverbs
Even though convolution reverbs are arguably the best sounding and most convincing reverbs out there today, algorithmic reverbs remain highly useful inAudio Programming Primer
Heading into the world of audio programming may seem a little daunting at first, even with prior programming experience. There are quiteThe Making of a Plug-In: Part 3 — Solving the UI Issue
The “making of” series continues with part 3 of the Match Envelope VST plug-in, where I work to solve some UI issues thatThe Making of a Plug-In: Part 2 — Iterating and Improving
The “making of” series continues with part 2 of the Match Envelope VST plug-in, where I iterate and improve on its features- 1
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